First Edition, Signed Copy
Static is a conceptual photography book exploring themes of ritual, time, mindfulness, and human presence. Shot entirely in Japan, the work captures fleeting moments of stillness within the chaos of modern life, reflecting on how we move through the world, often distracted, yet yearning for connection.
This is the first edition, carefully designed and personally signed.
Softcover (24 × 20 cm)
60 pages
Edition: First edition, signed by the artist
Price: $65 AUD
A classic Porsche 911, parked with understated grace on Noosa’s iconic Hastings Street. There's a quiet luxury in this image, dappled sunlight, tropical trees, modern architecture, and that sleek, unmistakable silhouette.
This isn’t just about a car. It’s a moment of symmetry, nostalgia, and refinement. A reminder that beauty often parks itself right in front of us if we’re paying attention.
Captured during a slow morning walk with my Leica Q2, Noosa showing off, as it often does.
Printed on Museum grade photography paper. Available in various sizes.
For most of our trip, Mt Fuji remained a myth, shrouded in clouds during the rainy season. We had all but given up. But on our last day in Japan, with only a few hours to spare before flying out, the skies opened just enough.
We jumped on a train from Tokyo and made it in time to see the mountain peek out, just for a moment, before it disappeared again. There it was: majestic and snow-capped, framed between street poles, power lines, and a single tiny car rolling down a quiet neighbourhood road.
This photo is about presence. About trusting the timing. And about how sometimes, when you follow a feeling, the world gives something back.
Printed on Museum grade photography paper. Available in various sizes.
Parked stoically on a quiet street in Fitzroy, this Land Rover Defender feels as much a part of the urban fabric as the Victorian terrace behind it. The tones of the truck and the building hum in visual harmony, subdued, lived-in, and timeless.
I’ve taken countless photos of Defenders over the years, drawn to their shape, their stories, and their presence. They carry a sense of journey, whether they’re in motion or sitting still.
This image is part of an ongoing project capturing these rugged icons wherever they appear, from city streets to mountain trails. But this one?
This one has an everyday poetry.
Printed on Museum grade photography paper. Available in various sizes.
Tucked in among the rocks, we wandered, slowly, aimlessly.
Climbing over their curves.
Pausing to read their forms like pages of a forgotten story.
Out on the horizon stood a lone Joshua tree.
Stark against the sky. Still. Present. Watching.
It felt like the only thing bearing witness to our quiet steps.
A Coyote called out in the distant.
There was something deeply grounding in that moment.
The vast silence of the desert. The weight of the rocks. The tree, holding space.
This image is a meditation on presence, on being seen by the landscape
as much as seeing it.
Printed on Museum grade photography paper. Available in various sizes.
We wandered.
Climbed a little. Sat a while. Let the shapes reveal themselves.
Joshua Tree has always been a place of edges for us, just passing through, never quite in.
But this time, we went further. Into the boulders. Into the stillness.
The rocks felt ancient and alive. Faces in the stone.
Each curve holding a whisper. A secret. A silence.
This image is about that moment, when time falls away and the land begins to speak.
Not loudly. But with weight.
Printed on Museum grade photography paper. Available in various sizes.
Bold. Ironic. Unapologetically D*Face.
This towering mural on the corner of Bedford and S 5th in Williamsburg is classic D*Face, reimagining the slick romanticism of pop art through a subversive lens. A distressed damsel clutches her face, speech bubble shouting: "GET ME TO THE MOXY!!"
I’ve admired D*Face since I first saw his art on the side of the Line Hotel in LA’s Koreatown. Here in Brooklyn, his commentary plays out across entire buildings. The composition felt too good to pass up, the sky blue, sharp shadow, and that perfect slice of New York corner life below.
A love letter to chaos. A billboard for rebellion.
And still, a reminder that art, demands to be loud.
Printed on Museum grade photography paper. Available in various sizes.
Williamsburg, Brooklyn. Once the frontline of New York's street art revolution.
This wall still fights.
Brazilian street artist Eduardo Kobra brings Andy Warhol and Jean-Michel Basquiat into the ring, boxing gloves on, surrounded by the fractured geometry and radiant colour that define his style. It’s a tribute to both artists’ friendship and rivalry, as well as the tension between pop culture and fine art.
I first photographed Williamsburg in 2015, chasing colour and character through its grittier streets. A decade on, so much has changed. But this mural stands resilient, a riot of paint, defiance, and homage.
The message is scrawled across the bricks: #FightingForStreetArt.
This photo is a reminder to keep fighting.
Printed on Museum grade photography paper. Available in various sizes.
Williamsburg, Brooklyn. A place once defined by spray cans, sound systems, and the language of walls.
We came looking for ghosts. Not the kind that haunt, but the kind that once made this neighbourhood beat with a different heart.
Found them layered behind a tagged Dodge van, its yellow shell faded and scribbled like a love letter to the past. Behind it, street art clings defiantly to a warehouse wall, still screaming in colour.
Most of the old Williamsburg is gone. Polished over. Repurposed. But in this moment, time held still, a scene that could’ve just as easily been 2015.
A photograph for those who remember the city before the gloss.
Printed on Museum grade photography paper. Available in various sizes.
The Chelsea Hotel—raw brick, cast-iron balconies, and an aura that whispers stories from another era. This iconic landmark in New York City has housed some of the greatest minds and misfits: Patti Smith, Robert Mapplethorpe, Dylan Thomas, Sid and Nancy. For years I imagined it as a creative sanctuary, a hive of rebellion and poetry. On a past visit, I arrived only to find it buried in scaffolding, its voice silenced, its magic hidden. But this time, the veil had lifted.
In Chelsea Hotel- Where Time Once Lived, I photograph the Chelsea exactly as I had always pictured it—majestic and moody, grounded in history and still pulsing with artistic energy. The yellow cab, the late afternoon light, and bare winter branches complete a portrait of the city that never forgets.
Printed on Museum grade photography paper. Available in various sizes.
A battered cream-coloured Ford Gran Torino sits defiantly outside Clinton Hall on a quiet New York City street. The grit of the car’s worn paint and dented body echoes the resilience of the city itself—imperfect, iconic, and full of stories. Captured in soft, natural light, the symmetry of the brick facade, fire escapes, and stoic architecture forms a stark contrast to the raw Americana parked out front.
True Grit is a study in contrasts—stillness and decay, elegance and edge—an image that invites you to linger, to wonder who drove this beast and where they are now.
Printed on Museum grade photography paper. Available in various sizes.
This image feels like an outward exhale, as if the earth itself is breathing. The trees, bare and delicate, rise like ink lines from the snow-covered floor. There’s a quietness here, a calm that settles into the skin like soft, icy snow.
I paused in that stillness to take this photo, feeling the cold air on my face, the weight of winter in the silence. The trees had shed their leaves, standing skeletal and serene, surrounded by the hush of snowfall.
Winter Remains is a portrait of stillness and simplicity. A moment where nature breathes, stripped back and raw, yet achingly beautiful.
There are landscapes—and then there's Yosemite. There are views and then there is this view
This image is more than a photograph; it’s a dream that has been realised. Inspired by the legendary Ansel Adams, A View Like No Other captures Yosemite’s iconic Tunnel View in a rare and fleeting moment.
After a complete whiteout the day before, the landscape opened for the briefest window, just long enough to reveal the snow-covered majesty of El Capitan and Half Dome, framed in perfect harmony.
It was a moment of pure photographic joy, standing in fresh snow with heart pounding, knowing I was finally witnessing and capturing a scene I had long admired.
This print is a tribute to patience, persistence, and the magic of nature’s timing, a timeless piece for those who find wonder in the wilderness.
Often overshadowed by the towering cliffs around them.
I wanted to capture the trees in their own right, as a spectacle of beauty and endurance. Each branch and textured surface tells its own story, offering a moment of quiet reflection amidst Yosemite’s grand landscapes.
Silent Sentinels is a tribute to the often-overlooked details in nature—the subtle yet powerful beauty of trees that stand not just as part of the landscape, but as works of art in themselves.
The sensation of standing by the Merced River remains vivid in my mind. The sound of water cascading over smooth stones creates a symphony that calms the spirit. The crispness of the air invigorates the senses, each breath a reminder of nature's purity. The large granite rock stands tall, grounding the scene with its majestic presence. This moment, captured in an image, serves as a portal, allowing me to revisit the tranquility and beauty of that day whenever I wish. The river flows on, just as memories do, always out of reach yet always felt deeply within.
Captured during a rare break in a winter storm, this image reveals El Capitan standing majestic and still, its form mirrored in the quiet river below. Snow blanketed the valley floor, and a fleeting patch of blue sky illuminated the granite face—just long enough to press the shutter.
This was a moment I had long hoped for. Inspired by the legacy of Ansel Adams, I stood in the hush of Yosemite’s winter, witnessing the storm part for only minutes before the landscape disappeared once more into snowfall. The river, reflecting El Capitan like a memory on water, made the scene feel timeless.
El Capitan from the Valley Floor is a tribute to nature’s quiet power, and to the patience it sometimes takes to witness it.
Capture the essence of nostalgia with a vintage-inspired photograph of a Mazda RX-4, elegantly parked on Hastings Street, Noosa. The image, shot on Kodak Portra 400 film, boasts a rich, warm colour palette that highlights the car's sleek lines and classic appeal.
This limited edition print evokes a sense of timelessness, perfectly blending the charm of the RX-4 with the vibrant atmosphere of Noosa’s iconic street. With limited size and availability, this photograph is an ideal addition for classic car enthusiasts and those who appreciate the allure of vintage aesthetics.
As part of my Land Rover series, I often find myself exploring urban landscapes, searching for the perfect combination of vehicle and backdrop. This particular Land Rover was parked on New Bond Street in London, a striking contrast to the surrounding architecture.
I captured this image on my first day in London, groggy and jet-lagged from a 36-hour flight. Despite the exhaustion, the scene felt invigorating. The classic lines of the Land Rover provided a sense of adventure that resonated deeply with me. It was a moment that beautifully encapsulated the spirit of travel, showcasing how even in fatigue, the eye can find beauty and intrigue in the everyday.
Printed on Museum grade photography paper. Available in various sizes.
This photograph captures the iconic charm of a classic Aston Martin parked in front of the renowned Paul Smith store in London.
Wandering the streets of London with my Leica Q2, I stumbled upon a classic Aston Martin parked in front of the striking Paul Smith building. The monotone colours of the scene create an elegant visual harmony, emphasising the car's timeless design against the backdrop of contemporary architecture. The interplay of light and shadow highlights the contours of the Aston Martin, accentuating its sleek form while the Paul Smith facade adds a modern touch.
Printed on Museum grade photography paper. Available in various sizes.
Captured in Hastings Street, Noosa Heads, this classic 1960's Series 2 Short Wheel Base Land Rover stands out with its timeless appeal. Its rugged exterior and iconic design embody the spirit of adventure, making it a perfect fit for this series. The vibrant surroundings of Noosa enhance the vehicle's character, showcasing a blend of nostalgia and charm that resonates with both locals and visitors. This shot encapsulates the essence of exploration while paying homage to the enduring legacy of the Land Rover brand. The scene invites viewers to imagine the journeys and stories that have unfolded within this classic vehicle.
Printed on Museum grade photography paper. Available in various sizes.
